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\nRicordo quella volta che Peter Zaremba<\/strong> spacc\u00f2 il microfono sul palco. Subito dopo volarono le sedie. Era il 1990. (L.D.)<\/em><\/p>\n

<\/iframe><\/p>\n<p><head><\/p>\n<div id=\"fb-root\"><\/div>\n<p><script>(function(d, s, id) {\n var js, fjs = d.getElementsByTagName(s)[0];\n if (d.getElementById(id)) return;\n js = d.createElement(s); js.id = id;\n js.src = “\/\/connect.facebook.net\/it_IT\/all.js#xfbml=1&appId=135728516513”;\n fjs.parentNode.insertBefore(js, fjs);\n}(document, ’script’, ‘facebook-jssdk’));<\/script><br \/>\n<meta http-equiv=\"Content-Type\" content=\"text\/html; charset=windows-1252\"><\/p>\n<p><\/head><\/p>\n<p><body><\/p>\n<p><\/body><\/p>\n<div class=\"fb-comments\" data-href=\"http:\/\/www.musicletter.it\/lucadambrosio\/?x=entry:entry160331-120230\" data-width=\"540\" data-num-posts=\"50\"><\/div>\n<p><\/html><\/p>\n<p align=\"center\"><a href=\"https:\/\/www.paypal.com\/cgi-bin\/webscr?cmd=_s-xclick&hosted_button_id=8602479\" target=\"_blank\"><img decoding=\"async\" src=\" http:\/\/www.musicletter.it\/imageblog\/Sostieni-Musicletter.it.png\"><\/a><\/p>\n<p align=\"center\"><a name=\"fb_share\" type=\"button_count\" href=\"http:\/\/www.facebook.com\/sharer.php\"><\/a><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/p>\n<p align=\"center\"><script type=\"text\/javascript\" src=\"https:\/\/apis.google.com\/js\/plusone.js\">{lang: ‘it’}<\/script><g:plusone size=\"middle\"><\/g:plusone><script src=\"\/\/platform.twitter.com\/widgets.js\" type=\"text\/javascript\"><\/script><a href=\"https:\/\/twitter.com\/share\" class=\"twitter-share-button\">Tweet Share<\/a><\/p>\n<p align=\"center\"><iframe src=\"\/\/www.facebook.com\/plugins\/like.php?href=https%3A%2F%2Fwww.facebook.com%2Fmusicletter.it&send=false&layout=standard&width=530&show_faces=true&action=like&colorscheme=light&font&height=60\" scrolling=\"no\" frameborder=\"0\" style=\"border:none; overflow:hidden; width:530px; height:60px;\" allowTransparency=\"true\"><\/iframe><\/p>\n<p align=\"center\"><script type=\"text\/javascript\">\n<\/script><br \/>\n<script type=\"text\/javascript\"\nsrc=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/p>\n<p align=\"center\">Cerca e compra un disco, un dvd, un acccessorio di abbigliamento<\/p>\n<p align=\"center\"><a href=\"http:\/\/www.musicletter.it\/shop\/music\/\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.musicletter.it\/imageblog\/ml-shop.gif\"><\/a><\/p>\n<p align=\"center\">\n<form action=\"http:\/\/www.google.it\" id=\"cse-search-box\" target=\"_blank\">\n<div>\n<input type=\"hidden\" name=\"cx\" value=\"partner-pub-2786224341992971:5273369113\" \/><br \/>\n<input type=\"hidden\" name=\"ie\" value=\"UTF-8\" \/><br \/>\n<input type=\"text\" name=\"q\" size=\"79\" \/><br \/>\n<input type=\"submit\" name=\"sa\" value=\"Cerca con Google\" \/>\n <\/div>\n<\/form>\n<p><script type=\"text\/javascript\" src=\"http:\/\/www.google.com\/jsapi\"><\/script><br \/>\n<script type=\"text\/javascript\">google.load(”elements”, “1”, {packages: “transliteration”});<\/script><br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/www.google.com\/cse\/t13n?form=cse-search-box&t13n_langs=en\"><\/script><br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/www.google.it\/coop\/cse\/brand?form=cse-search-box&lang=it\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ricordo quella volta che Peter Zaremba spacc\u00f2 il microfono sul palco. Subito dopo volarono le sedie. Era il 1990. (L.D.) Tweet Share Cerca e compra un disco, un dvd, un acccessorio di abbigliamento<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-103","post","type-post","status-publish","format-standard","hentry","category-musica"],"yoast_head":"\r\n<title>Pillole quotidiane: Roman Gods dei Fleshtones ⋆ Il blog di Luca D'Ambrosio<\/title>\r\n<meta name=\"description\" content=\"L'amore per un disco \u00e8 un sentimento reale (Luca D'Ambrosio)\" \/>\r\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<link rel=\"canonical\" href=\"https:\/\/www.musicletter.it\/luca\/2016\/03\/31\/pillole-quotidiane-roman-gods-dei-fleshtones\/\" \/>\r\n<meta property=\"og:locale\" content=\"it_IT\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" 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Fondatore e responsabile del sito di informazione musicale e culturale Musicletter.it, in passato ha scritto per riviste e magazine online e ha contribuito a diverse pubblicazioni editoriali. \u00c8 stato consulente musicale di due programmi radiofonici della Rappresentanza in Italia della Commissione europea nonch\u00e9 ideatore del Premio nazionale per il giornalismo musicale sul web. Collaboratore di lunga data del MEI, il Meeting delle Etichette Indipendenti, dal 2012 fa parte della giuria delle Targhe Tenco. Per Arcana Edizioni ha scritto tre libri: \"La musica, per me\" (2018), \"Musica migrante\" (2019) e \"Musica per cani\" (2020). Inoltre ha conseguito dei riconoscimenti nell'ambito del Festival di Internazionale a Ferrara e del Festival Nazionale dei Conservatori a Frosinone. \"Voci Chiassose\" (1996) \u00e8 la sua prima pubblicazione autoprodotta, ristampata, sempre autonomamente, nel 2021. A febbraio 2023 entra a fa parte dei 150 membri della giuria della sala stampa, radio, tv e web del 73\u00b0 Festival di Sanremo.","sameAs":["https:\/\/www.musicletter.it\/luca","https:\/\/www.facebook.com\/luca.dambrosio","https:\/\/www.instagram\/lucadambrosio70","https:\/\/www.linkedin.com\/in\/dambrosioluca\/","https:\/\/x.com\/lucadambrosio"]}]}},"_links":{"self":[{"href":"https:\/\/www.musicletter.it\/luca\/wp-json\/wp\/v2\/posts\/103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicletter.it\/luca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicletter.it\/luca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicletter.it\/luca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicletter.it\/luca\/wp-json\/wp\/v2\/comments?post=103"}],"version-history":[{"count":0,"href":"https:\/\/www.musicletter.it\/luca\/wp-json\/wp\/v2\/posts\/103\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.musicletter.it\/luca\/wp-json\/wp\/v2\/media?parent=103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicletter.it\/luca\/wp-json\/wp\/v2\/categories?post=103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicletter.it\/luca\/wp-json\/wp\/v2\/tags?post=103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}